2012 – NOT the end of the world as we know it

January 15th, 2012

If you’re consulting a Mayan calendar to figure out what’s going to happen in 2012, then maybe it’s true; the apocalypse is near. Because you’re freakin’ crazy; and if enough people are that ignorant, paranoid or insane, I suppose anything’s possible.

The scholars all tell us the calendar marks the end of an age, not the end of the world. But who listens to scholars, anyway? What do they know?

The ancient Mayans like the ancient Incans and most other ancient civilizations were into astrology – they studied the stars. This is most likely because they didn’t have television, Blackberries or iPhones. Heads were tilted up to the sky at an awkward angle all night instead of hunched over looking down toward their palms all day and night. We’ve come a long way, haven’t we?

So it’s not the end of the world; it’s the end of the Piscean Age moving into the Aquaurium age, or something like that. Bellbottoms might be coming back. That’s pretty scary, but it’s not the end of the world.

Every narcissist (self-obsessed) civilization or culture since the cracked up dawn of man has imagined the world would end on their particular shift. It used to just take a lunar eclipse or a passing comet to send people in complete panic running for the exit doors. But like I said, we’ve come a long way. Now it takes technology.

In 1939 it took radio – a broadcast by Orson Welles of H. G. Wells  “War of the Worlds” imagining an invasion from Mars. In 1962 it took ICBMs armed with nuclear warheads – and the possible mutual destruction of two paranoid nation superpowers during the Cold War. In 2000, it took computers – and the wide swept paranoia that their circuitry would implode during a digital do-over.

So what does it say that, in 2012, all it takes is an 800 year-old calendar put together by people that ran around half naked and played basketball with decapitated heads? Doesn’t that seem like one giant leap backward in the people’s progress of paranoia?

I don’t want to take away anyone’s fun. We all had a blast in the 1980’s re-deciphering every stanza of 16th century seer Nostradamus for clues to our imminent world destruction. In 1987, we even convened millions of concerned souls to meditate to hold the planet together during the Harmonic Convergence. It must have worked, because Gorbachev unexpectedly threw his arms up, declared the arms race to build bigger and better weapons of mass destruction as total madness, backed down, and effectively ended the 40-year cold war between the Soviet Union and America.

So in the spirit of optimism and ‘been there, done that,’ I offer instead …

10 random things to look forward to in 2012 besides the Apocalypse.

  1.  Mad Men season five. Where Sally Draper finally calls her mother a ‘bitch.’
  2. The Republican Reality Series. Let’s face it; no show has offered more entertainment value these past few months than this family feud between rich science-deniers, bigots (nod nod wink wink code phrase, “we want to take this country back”) and the brain dead trying to out-asshole each other.
  3. The Summer Olympics in London. Personally, nothing bores me more than watching athletes run around a track, but the opening and closing ceremonies come on like Cirque de Soleil on crack.
  4. A new desktop PC with an awesome processor that can handle Arma II without lagging.  (My son added this one.)
  5. A job. And if you have a job; an easier job, where you aren’t doing the work of three other workers who were laid off to keep corporate profits relentlessly moving up during a global recession.
  6. Adele’s next album. I just pity the poor bloke who broke up with her since the last one who is going to be eviscerated and castrated by these songs much to the delight of music-lovers everywhere.
  7. Game of Thrones season 2. Okay, I admit I watch too much television and should probably take up star-gazing again.
  8. The Supreme Court upholding the Affordable Heath Care Act in June. Why am I fairly certain of this? Because despite their conservative majority, the high court are mostly strict constitutional scholars … plus they need to make up for the most idiotic decision ever passed – Citizens United; which gave corporations the same status as people, but with an unlimited ability to donate to an election candidate through Super PACs.
  9. Occupy America, Spring Edition. Yes, as winter passes, the 99 %-ers  will be in full bloom again like you have never seen them before, putting on such a massive display of passion and solidarity that will finally jolt the patriotism and shame of a enough 1%-ers to actually admit they wouldn’t have gotten there without riding on the backs of the 99%-ers, and raise our collective consciousness just enough to truly usher in a more enlightened age of Aquarius. Maybe the Mayan calendar was right after all.
  10. Obama’s inevitable re-election. I figure I lost most of you haters during the Republican primary ‘assholes’ remark or with #9, but look at it this way … What leader was better equipped personality-wise to never lose his cool, never panic, never get too emotionally frustrated, and to lead us with a steady and stable demeanor during the most hyperventilating natural, political and economic disaster-ridden period of our history than … Spock?Happy New Year, everyone!

The 3-D revolution that wasn’t

November 26th, 2011

I had meetings with Cannon Films back in the 80s to adapt Colin Wilson’s popular science fiction novel, Space Vampires, into a feature. That film eventually became the cult movie Lifeforce, written and directed by Tobe Hooper of Texas Chainsaws Massacre fame.

Instead, I was hired to script another film Cannon was developing and very excited about called Space Bounty Hunter. This film was very important to them because it was using a new technology called “Wonder-Vision” that was going to relaunch a 3-D revolution in film. What a crazy idea, right? 3-D movies hadn’t been popular since the mid 1950s, when they were first introduced as a gimmick to pull viewers away from this new thing called television.

It turns out another space bounty hunter movie was already in development, so the entire concept of the picture changed to a mythological El Cid-style chariot race action adventure on another planet. The new title was called Escape From Beyond, and the film was promoted with posters and pre-sold for international distribution at the Cannes Film Festival in France.

But a funny thing happened on the way to building the sets in Mexico and training the chariot stunt crews … chariot races are really expensive. Go ask Cecil B. DeMille, the director of Ben Hur (oops, too late, he was dead). The preproduction and film were eventually abandoned when they realized the costs were far beyond what they collected up front to distribute the film internationally (which was Cannon’s business model).

So the world never got to see the amazing relaunch of 3-D technology with a science fiction epic. Sigh. Too bad, huh?

But they did see the poster art at Cannes and in the Hollywood Reporter. (Don’t ask me who those other two additional names under Screenplay By are; they didn’t write the script – I think they came up with that cheesy title and controlled the press releases)

I went through seven drafts of that script, including one where the President of the company calmly told me, “Ve haf Charles Bronson.” I didn’t know what to make of that other than the fact they had a big success with is vigilante film Death Wish and two sequels. Was I supposed to suddenly turn this into Death Wish in Space? And if the movie was expensive enough with chariot races, what was Charles Bronson’s fee going to add to the cost?

Who wants to survive a Zombie Apocalypse?

November 8th, 2011

I don’t know why zombies are all the rage these days. They’re more popular than when Val Newton directed I Walked With a Zombie in 1943, or when George Romero redirected them at us in Night of the Living Dead in 1968.

Is it a manifestation of our global pessimism? Is it a reflection of a culture that often seems devoid of passion and ‘going through the motions’ – working, shopping, school, and groceries? I believe Shaun of the Dead covered that territory quite hysterically. The fact it took Shaun days to realize that everyone around him had already turned into zombies said everything. We are self-involved and clueless. More often than not in our daily routines, we’re just going through the motions.

My son has played Left 4 Dead on xBox for a couple years now. He’s a veteran zombie killer. I even bought him a Zombie Survival Guide for Christmas one year. It’s fun to strategize exactly where you’d best hold out against the zombie hoards longing to eat your flesh or brain: Someplace accessible to food, but also where you are inaccessible as food.

At times, my son revealed a fear of zombies, as if they could be real. No scientific or biological explanation of the impossibilities of reanimated flesh or organs after brain death can ease such anxiety once repetitive media viewings without any real science or biology have taken hold. Just ask the climate change and evolution deniers who get their information from FOX News.

But my question isn’t about how zombies actually function, or whether they move fast or slow, prefer human brain to animal brains, or why our culture is so agog with them.

My question is why anyone would want to survive in a world overrun by zombies after some apocalyptic event or plague. Not your run of the mill plague, mind you, but some global catastrophe where 95% of the world is either dead or infected: A scenario such as the one in Colson Whitehead’s new bestseller, Zone One; or in the popular AMC series, The Walking Dead.

One of the characters in the TV series, Andrea, is denied access to a gun because, God forbid, she might actually want to kill herself rather than go on dodging brain munchers. But in the face of an unrelenting world of the walking dead, where everyone you ever loved is either dead or infected, and any chance of some quality of life is long gone … what’s so crazy about that? She may be the last rational human on Earth.

The idea that there’s this inner drive to live no matter how horrific the circumstances strikes me as no better than being a zombie yourself; As if we also have some emotionless, soulless drive to keep moving, keep devouring flesh, and without any general purpose. We live just to move and continue living? Is that really enough? One of the surviving characters in the show even says, “is living just a habit?”

Oh, what, you think you’re going to re-populate the earth like Adam and Eve? Good luck with that fantasy. Again, you’re talking about some basic mindless drive to propagate the species, and not any reasonable grasp of the situation. You think romance will bloom among the rotting corpses and devastation surrounding you? Only in the movies.

The despair, the horror, the loss, the physical degradation … the lack of anything life-affirming, the relentless pursuit of you by nightmarish walking corpses … Is that really the scenario for turning on your auto-pilot to keep pushing on?

Am I off way base here? Am I all alone in the world with this idea? Is Andrea in The Walking Dead wrong for contemplating the quickest exit? Or the tormented father at the end of The Mist (okay, bad example, he doesn’t realize help is on the way and the monsters were just in the mist).

Holocaust survivors who survived concentration camps in World War II at least knew there was a world outside the camps where family and life might actually still be continuing and could return to normal after the conflict. But we’re talking Zombie Apocalypse here. The entire population of Earth is wiped out. You know this because you heard the reports up until the moment there was no one left to give the reports. So now you think you’re going to walk along The Road, or find an army base 28 Days Later where things are going to vastly improve? Where you can start your comic book collection again?

Writers and filmmakers are always going to create stories about The Last Man on Earth. It’s an irresistible fantasy in a world where we are so often annoyed by those living all around us. Richard Matheson, my favorite author growing up, did just that with that last man classic (remade as The Omega Man, and later with his original title, I Am Legend).

It’s an author’s conceit to destroy and re-imagine the world in his head, and then on paper, or for your Kindle. But let’s be honest. In a world where you spend your days alone, your loved ones dead, your food sources reduced to expired canned beans, and the never-ending grind of zombies shuffling slowly (or rapidly) after you to devour your brain; wouldn’t it ultimately be the worst fate of all … to survive?

Sell Your Script TeleSummit

October 29th, 2011

 

Tough negotiations with VP at MGM

After slogging this blog for a couple of years, I’m entitled to one incidence of shameless commerce. We’re offering a TeleSummit on how to Sell Your Script on December 14. Early registrants before November 10 get $20 off. It’ll be a good, informative event. Workbook included. Bonus TeleSummit download on how to protect your script. Questions will be accepted during webinar.

WGA screenwriter, A. Wayne Carter shares his insider secrets on how to Sell Your Script

Everyone’s got a script … either on paper or in their head. Maybe you finished yours, maybe you didn’t. Maybe it’s a spec script for a TV series running now, or a pilot for one you hope to sell. Maybe it’s a feature script or idea you’ve been kicking around and wondered just what it takes to see it go further.

What good is your script doing still in your head? Or sitting on a shelf?

Find out how to SELL YOUR SCRIPT at our exclusive TeleSummit (webinar) this December with WGA A-list scriptwriter Wayne Carter and Mark Simon

We’ll cover how to protect it, how to promote it, and how best to PROFIT from it.

These are key Hollywood insider tips from a longtime industry veteran and A-list Writer’s Guild writer who worked at the top levels of the industry selling scripts to Paramount Pictures, Universal Studios, Fox Television, National Lampoon, HBO, CBS, and many more.

Date: Wednesday, December 14th, 2011

Time: 9:30pm EST/ 6:30pm PST

Length: 2-3 hours

Cost: $79

Early Bird Registration Rate: Only $59 until Nov. 10th

Where: Web slide show with audio. Join this script-selling dynamo from the comfort of your own living room.

How: Dial in, log in or Skype in

** No travel required **

How much would you pay for a weekend seminar or a full semester college course? And you get all the vital info you need in this convenient three-hour session.

Bonuses: Once you register, download the webinar workbook which is jam-packed with seminar highlights, exclusive content and templates. PLUS – get an additional TeleSummit on “The Truth About Protecting Your Show,” a $49 value, absolutely FREE. So you get two TeleSummits for the price of ONE.

Buy   the Protect Your TV Idea Seminar

Few people in the industry have had Wayne’s success in selling scripts.

  • 10+ feature screenplays sold to major studios (Paramount, Universal, Warner Brothers, National Lampoon, ABC Circle Films, etc.)
  • Worked with directors James Cameron, Richard Donner, Tony Richardson (Best Director Oscar)
  • 4 TV MOWs sold to Fox, CBS/Motown
  • TV scripts sold to CBS, HBO

In This TeleSummit, Wayne Will Reveal:

  • 7 quickest ways to have your script instantly rejected
  • Key tips to find industry readers for your script
  • 13 biggest mistakes when completing a first draft script
  • Pitch meeting Dos and Don’ts
  • The first thing you need to do when you get a bite
  • How to negotiate a better deal
  • Why your script is your most important calling card

You’ll Also Discover:

  • The big mistake that can doom your pitch meeting
  • How to get a major star attached to your script
  • How to write better dialogue for more memorable characters
  • 6 secrets of a script deal
  • How script coverage can save you permanent career damage
  • What you need in the perfect query letter or email
  • How to protect your script
  • What agents or managers can do or not do for your script
  • How not to go insane waiting for the phone to ring

This Hit Maker TeleSummit Is for You if You:

  • Have finished a TV or feature script or are writing one
  • Want to understand how to create better story and characters
  • Are not sure what your next step is or who to contact
  • Want to improve your script so that it’s rejection-proof
  • Want to know the best way to promote or pitch your script
  • Seriously want to sell your script to Hollywood or elsewhere

BONUSES: Including a copy of our most popular TeleSummit absolutely FREE

  • Workbook
    • A downloadable Sell Your Script Workbook to use during and after the webinar
    • Literary agency Guidelines for their staff when agents pitch and sell a client’s script
    • Sample template for a query letter or email to a producer or executive
    • Industry resources and links for targeting potential market producers or production companies
    • Handy reminder of key points from the TeleSummit
  • “The Truth About Protecting Your Show” TeleSummit
    • A complete and separate pre-recorded TeleSummit  on the realities of protecting your script or concept
    • All the information you need to keep from ever worrying again.
    • Online streaming, or MP3.
    • Available anytime after you register!
    • $49 value. Free with this seminar.

Wayne will take you step-by-step through every phase of creating a great script, discovering the best market for it, and delivering the best pitch or email to get it read and to get it sold.

Together with your host, Mark Simon, we’ll uncover everything standing in your way from getting your script the serious attention and consideration possible from industry production companies, networks, studios and insiders. to ensure its success for you as a writer or show creator.

Discover more as TeleSummit participants ask Wayne or Mark answer LIVE questions to further make your dream of a script sale closer to reality and to ensure its success for you as a screenwriter or show creator.

Buy   the Protect Your TV Idea Seminar

How This TeleSummit Works:

  • Click on the REGISTER NOW button.
  • Pay for the event on our secure server.
  • You will receive the Hit Maker TeleSummit participant information.
  • Use your computer at work or at home.
  • Listen to replays as often as you like

Get inspired, get psyched, get answers from Wayne or Mark and our live slideshow!

Who is A. Wayne Carter?

  • 10+ feature screenplays sold to major studios (Paramount, Universal, Warner Brothers, National Lampoon, ABC Circle Films, etc.)
  • Worked with directors James Cameron, Richard Donner, Tony Richardson (Best Director Oscar)
  • 4 TV MOWs sold to Fox, CBS/Motown
  • Featured writer, HBO series, The Investigators (Barry Levinson, producer)
  • Scripted National Lampoon pilot for CBS
  • Scripted pilot for Ed McMahon’s Next Big Star (ran two seasons syndicated)
  • 6+ independent feature screenplay deals, including remake of Kickboxer for Kings Road Entertainment
  • Sunset Fire TV pilot script winner at 13 film festivals, including first place at Las Vegas Film Festival 2011
  • More than 70 corporate industrial films scripted and produced
  • Taught college scriptwriting classes
  • Featured speaker at writers’ conferences and seminars
  • WGA member since 1980
  • 16 years in the Hollywood trenches
  • 6 different agents, 2 managers, attorneys, etc.

Have more questions? Check out our FAQ section. Click HERE.

 

 Hosted by Mark Simon, co-founder of SellYourTvConceptNow.com.

Mark Simon is 25-year in the entertainment industry as a producer and director for live action and animation, writing and lecturing, and amassing nearly 3,000 production credits. He’s pitched and sold more than 25 production and distribution deals for his original concepts, and worked with Disney, Nickelodeon, The Golf Channel, HSN and other networks pitching in-house productions. His storyboard and animation companies have included clients such as Disney, Universal, Viacom, Sony, HBO, Nickelodeon, FOX, Steven Spielberg, USA Networks, ABC Television and many others. He is also the author of ten popular industry texts, and lectures around the world at major conferences, entertainment trade schools and universities.

Sponsored by ProductionHUB.com

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No. You may attend from the comfort of your own home. All you need is a phone and an internet connection.

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What’s on the DVR – Fall 2011 edition

October 12th, 2011

Fringe

We’re more than four episodes into the fourth season and Peter has only appeared as reflections in shiny objects or as a disembodied voice. Okay, what the hell did actor Joshua Jackson do to be exiled from being the co-star to missing in action? Did he ask for too much money? Did he show up late due to a feature film schedule? Did he throw a hissy fit when he realized he was being upstaged by John Noble as his father, Walter? Was he jealous Anna Torv got to play Olivia and her red-wigged evil twin counterpoint? These are the amber-encrusted questions only an alternate universe fringe division can investigate and answer.

Dexter

After the season premiere, do we call this Dumbing Dexter Down? Our somber, brooding, Dexter with a dark passenger (and a darker secret) can be found … goofily electro shocking two paramedics to death with their defibrillators; making faces while doing a ridiculous version of MC Hammer’s ‘hammer’ dance at his 20-year high school reunion; and shamelessly mugging while bent over backwards in a science room lab table getting a bj from a former high school hottie who now finds him intriguing. Did I tune in the wrong show? Is this Fringe again and I’m watching an alternate universe Dexter? Is this a Judd Apatow directed Seth Rogan picture on pay-per-view? Okay, Michael C. Hall looked like he was having fun. And anyone should be allowed to lighten up after surviving cancer. But where was the dark Dexter that only got better in seasons 1-3? By episode two things have calmed down, but is this the season where Dexter stabs the shark?

Boardwalk Empire

I still haven’t figured out what this show is about. If The Sopranos was a mob-filtered look at the nuclear family, what is this? A mob-filtered version of a mob-developed resort city? Steve Buscemi as Nucky Thompson is walking the thin line between decent caretaker patron to an Irish immigrant woman and her brood, and ruthless patrician of Atlantic City’s coming of age. Then there’s the weird religious fanatic federal agent keeping the prostitute bearing his child in captivity while he tries to bust bootleggers. He’s so tortured by his own demons and secret hypocritical behavior, he’ll later run as a family values Republican candidate for Congress. But I still don’t know what this show is about. Yet I keep coming back, so I guess it’s doing something right. And the production design is incredible. I don’t know if I’d ever pay to see it again on blu-ray, but I might spring for the bootleg. Did anyone get that?

Parenthood

This one’s on my wife’s DVR list, and not wanting to completely alienate her with all the HBO or Showtime sex-and-violence shows I seem to gravitate to, I started watching this as my ‘family time’ penance. The show airs at 10 p.m. but doesn’t find much edge there when it comes to contrived family conflicts. And they’re usually resolved by the end of one, two or three episodes at most. But with actors like Peter Krause, Craig T. Nelson, and Bonnie Bedelia (remember her?) aboard, you’re bound to see something fresh in the performances (but don’t get me started on everyone using the Robert Altman-patented ‘everyone talking on top of each other’ technique). There are moments here you can start to identify with, but everyone is so achingly polite to one another, I just have to check the channel and time to make sure I’m not watching that Fringe alternate universe again. Still, there’s nothing wrong with getting a little warm and fuzzy in this universe.

Real Time with Bill Maher

Sure, he’s a smarmy wise-ass, but at least he’s OUR smarmy wise ass. And he casts the show with enough offbeat public figures every week to either nod or scratch your head to. This show could be easily have sider appeal if his attitude didn’t play so smugly superior. And if you read my earlier blog on his religious rants, you know I think he has some issues beyond his own version of intolerance there. But where else are you going to see your congressman use the f-word? I have a sneaking suspicion that Maher loosens everyone up before the show in the Green room with some Afghan Red.

Breaking Bad

Has there ever been a more OMG finale than the season four ender? What more can anyone blog or post about the best drama on television this summer bleeding into Fall? This show featured better suspense sequences than most feature film thrillers, and certainly ones more ingeniously devised. The show should come with a defibrillator. Sometimes tight budgets begat out-of-the-box creativity. Only this show could turn an innocent hotel clerk bell into the best suspense sequence in season two and glorious pay-off for season four. And here’s a show on a pace that never stalled, and by episode nine was already in finale roller coaster descent mode. It just NEVER LET UP through four more episodes into the nail-gnawing finale. Pardon me while I take a moment to straighten my clip-on tie. The acting was breaking badass.  Bryan Cranston took home three Emmys in a row don’t forget, and the only reason he didn’t win this past September was timing – he wasn’t eligible due to timing of the past season’s schedule. Aaron Paul’s already nailed a supporting actor Emmy. He’ll collect one again for this season with some tour de force moments of intensity that will have you reaching for a meth pipe just to calm down. Get on board with the blu-ray if you haven’t broken some Bad, yet. Tell them Heisenberg sent you.

Mrs. Hollywoodaholic with Jesse- er ... Aaron Paul at the Las Vegas Film Festival 2011

You’ve come a long way, baby

October 12th, 2011

And, gee, I guess so has America.

Nobody listens anymore

September 25th, 2011

Am I the last person on the planet who actually monitors how much they talk versus how much they actively listen during a ‘conversation?’ Somewhere along the way, dialogues left the building and we are stuck listening to people unload monologues on us without any clue or consideration. The sound you hear is the energy leaking from your body as they drone on sucking the very life out of your ears. And in the rare moments they aren’t talking, they just zone out from actually listening to you respond while they plot what they are about to say next. I know you are aware of this phenomenon. And I know you are either a perpetrator or a victim of it.

Blogs and Twitter and Facebook are all manifestations of this imbalanced sense of entitlement where everyone now feels that every minutiae of their life or every opinion they have is worth reading, whether they know how to put a complete sentence together or not. At least with written monologues, you have the choice to ignore or skip over them. Just as sleazy fashion trends have made it harder to tell a high schooler from a hooker, actual writers now have a much harder time reminding everyone – “Hey, I’m the professional here!”

Here’s a book that simply explains conversation hogs as ‘stealers of energy.” That’s what they do – like an energy vampire, they are sucking your attention from you like blood from your veins. If you are a good listener, you’re well aware just how much energy it takes to actively listen to someone. To care enough about that relationship to follow what they are saying, invest some emotional concern, and maybe even ask a relevant question or two, instead of hijacking the conversation to go off on your own tangent.

Rhythm, Relationships, and Transcendence: Patterns in the Complex Web of Life by Toru Sato reminds us that, on a subatomic level, all matter is just a boundless bundle of energy, and “the only boundary between you and the other person is really a boundary made in your mind.” So why would you want to steal energy from yourself?

“Energy flows where attention goes.” And attention “is the basis for acceptance, respect, influence and care, all of which we crave in our daily lives … We feel energized when others pay attention to us … We feel depleted of energy when others do not pay attention to us.”

“We live in a rhythmic cycle of giving and receiving in all of our relationships … We give and take energy in varying degrees. We can take massive amounts of energy if we take little by little for a prolonged period of time without giving back. This is why we feel exhausted if someone talks to us incessantly for a long time without letting you have your turn. This incessantly speaking person is not yelling at us or physically assaulting us but we feel tired and very lower in energy after a while. This usually does not work well in a relationship because there is no rhythm of giving and taking. There is just taking.”

“We live in a competitive world. We compete for ‘energy.’ This is why many of us want to be famous, want to do heroic things, want to be powerful or influential, want more money. These are all means to gain energy. Being a hero or being famous makes us attract a lot of attention and admiration and sometimes respect. In other words, we receive energy.”

The book goes on to explain how to balance this rhythm of taking and giving, and that the more we let down the artificial boundary between each other and become attentive in a more balanced way, the more we can share consciousness and feel unity. It can happen on an individual basis, and it can happen with groups, countries and even this whole rocking planet.

And it all begins when you start to realize what you are taking from someone when you dump without listening, and what you gain when you trade attention and respect in balance.

Try it sometime. Try it all the time. And read this book for some more insights that can reduce the conflicts in your life to a simpler understanding of the way we compete for energy, and how we can transcend the anxiety and separation such competition creates.

Watching Bill Maher, religiously

September 17th, 2011

I watch Bill Maher, religiously. Every week. Like church.

He speaks truth to power in a manner so cool and rational and funny, it’s refreshing and entertaining beyond shit.

No matter who the guest or panelist is, he has a way to instantly disarm them with pure reason. It’s hard to argue when someone is brandishing the cold, hard, indisputable facts.

Unless, of course, the subject of religion comes up.

Suddenly, this cool, calculated rationalist begins ranting and raving; practically foaming at the mouth about gullibility, ignorance, stupidity and the ‘fairy tales’ of the believers.

To quote Shakespeare, “Methinks thou doth protest too much.”

How is a raving atheist spewing contempt and intolerance for believers in Jesus or any other faith any different than an evangelical Christian on the other side spewing condemnation and intolerance for heathen non-believers?

They are really mirror images of the same basic intolerance.

Who CARES what someone else believes? Nobody really knows. Why does it bug you so much, Bill? If someone wants to believe in Jesus, Mohammed, Scientology, Leprechauns, or the magic underwear of Mormonism, what’s it to you?

Sure, if someone uses religion to incite hatred and violence and war (as so often has been done throughout history, past and current), then expose it and condemn the hypocrisy of the agenda behind it. But don’t become one of them.

CNN has a religion column and 90 percent of the people who post comments to the column appear to be atheists angrily mocking or condemning the idea of faith, God, or religion. Religious columns online provoke more responses from atheists than actual followers of one faith or the other. What does this say?

Again, methinks they doth protest too much.

I have a theory that many atheists, and probably Bill Maher included, are burned believers. Why else would they get so riled up over what someone else believes?

At some time in their lives, perhaps in the early devout Catholic upbringing of the half-Jewish Bill Maher, they fervently believed in something. Maybe it was the power of prayer. Maybe it was the saving power of grace. Or maybe it was a miracle that just didn’t come through. They lost a parent or precious loved one or even a pet; the bully unjustly got away with his crime; or their parents stopped loving each other and divorced. So they threw away prayers or faith in anything beyond belief in the random cruelty or callousness of life, and embraced pure rationalism.

And now, any time someone else brings up faith or religion, it stirs their blood and those inner emotions and triggers a deep anger at something they once might have believed in and have since lost. How DARE someone else have faith in something?

It’s just a theory.

But I would also remind atheists or non-believers attempting art that almost every great masterpiece in the world of art or music was inspired by faith in something bigger than, or beyond the ego or rationalism of the artist.

Beethoven’s Ninth Symphony (that’s Jesus in man’s ‘Joy’ there)

Mozart’s Requiem

The Beatles “Let It Be”

Michelangelo’s Pieta or David or Sistine Chapel

Even a secular artist such as Paul Simon found his greatest inspiration in gospel music when he composed, “Bridge Over Troubled Water.”

And what would Soul Music – think Marvin Gaye, Al Green or Otis Redding – be without the ‘soul?’ Probably just lifeless, uninspired programmed crap like the Black-Eyed Peas, “I Got a Feeling,” who’s only inspiration appears to be greed for a dance floor remix that has a shelf life about the same as milk.

John Lennon sang “imagine no religion” in his classic, “Imagine,” but he wasn’t talking about God or faith. He meant the use of religion by men as a form of control over others. And keep in mind he wrote this song after extensive experimentation in primary therapy writing cathartic songs like, “God,” and “Mother,” where he was screaming about the loss of … well, his mother. It happened when he was young. He probably prayed to have her in his life and felt betrayed. And he got angry. And later … he protested too much.

But he must have made his own peace eventually forgiving everyone else their silly beliefs in faith or God or religion or alcohol or pills or magic underwear, because one of the last NUMBER ONE hit songs he ever had was the very positive and cheerful, “Whatever Gets You Through the Night.”

It’s all right. It’s all right.

Here’s a simple test to determine whether you believe in some form of God or spiritual life.

Have you ever meditated? Do you believe in the power of meditation?

We’re not talking prayers. Prayer is ASKING for something from above or beyond yourself.

Meditation is LISTENING for something beyond yourself.

If you believe in the power of meditation, then you are not an atheist.

Because meditation is going within yourself to find a silence or inner peace beyond the chatter of your own mind.

It’s letting go of the ego or mask of identity you’ve created for yourself that pretends you really are separated from anyone or anything else.

It’s going within to find that inter-connectivity.

In physics, it’s called The Unified Field Theory. Everything in the universe; solid, gas, or liquid is really just dancing particles of energy suspended in space. Everything really is just ONE thing in a field or matrix.

In metaphysics, this inter-connectivity is called the Collective Unconscious, or Universal Consciousness.

In religion, followers call it God.

And to poets and dreamers, it’s called … Love.

Believe in that, Bill, and you just might find the inner peace and tolerance that evade holier-than-thou zealots who simply can’t “live and let live,” or “Believe what you want, and let believe.”

Believe in that, Bill, and you just might believe again.

I believe in you, Bill.

Where is our cockeyed optimist?

August 21st, 2011

I have heard people rant and rave and bellow
That we’re done and we might as well be dead,
But I’m only a cockeyed optimist
And I can’t get it into my head.

I hear the human race
Is fallin’ on its face
And hasn’t very far to go,
But ev’ry whippoorwill
Is sellin’ me a bill,
And tellin’ me it just ain’t so.

I could say life is just a bowl of Jello
And appear more intelligent and smart,
But I’m stuck like a dope
With a thing called hope,
And I can’t get it out of my heart!
Not this heart…

From South Pacific’s “A Cockeyed Optimist”

The lyrics were written in 1948 by Oscar Hammerstein and sung by a character about life in 1942. When there really WAS something big to be down about. World War II.

My parents lived through that PLUS the Depression, and still managed to hold on to their optimism.

I can remember President Kennedy on television warning us about a ‘Sword of Damocles’ of nuclear destruction hanging over us as 4,500 inter-continental ballistic missiles from Russia were aimed directly at us in 1962, primed and ready to launch.

Somehow we all got through that, too. And still enjoyed watching “The Monkees.”

Yet today, on the news, in politics, and apparently in the streets and polls, there is more human pessimism than ever before. If a falafel goes unpaid for in Greece, the stock market knee-jerk reacts dropping 400 points and everyone is moaning about doom and gloom and recession again. We are the moodiest, whiniest wimps that have ever lived. And we bear little resemblance to those who lived through far greater threats to this civilization.

Okay, I can accept that the meds everyone seems to be on are not helping anymore and things are tough all over and everyone’s in a big funk. But I also accept that perception IS reality, and that this big funk were in, is a self-fulfilling prophecy. Corporations aren’t hiring because of uncertainty in the political world, and politicians are too busy playing the blame game to their own corners to instill any confidence, and all the rest of us are waiting for anyone, SOMEONE to stand up and knock some sense into everyone.

Sure, America is also becoming dumber as governors de-fund education to help create cheap labor states for service industry jobs – the only ones we seem to have left.

But where is the voice to snap us out of this funk? Where is our cockeyed optimist?

I admit to knowing what the ‘one-eyed monster’ is, and I’m not quite sure what constitutes a ‘cockeye,’  but I know we need one if it’s optimistic.

The GOP wants another Reagan. Nevermind the fact he would be considered a moderate Democrat today by tea party standards. Corporate taxes were high during his term, and he tolerantly granted amnesty to more than 11 million immigrants. But hey, he was like the nice grandfather who told us all it was “Morning in America;” the best was yet to come, and everything was going to be all right.

The group 10,000 Maniacs had a hit song calling him “The Happy Puppet” since everyone knew he wasn’t really the one pulling the strings. He just read the script like a Howdy Doody cheering up children watching television.

America actually hired a cheerleader (he called himself a ‘cheermaster’ to make it more manly) when they elected George W. in 2000. Okay, we didn’t really elect him since he actually LOST the popular vote, but he got the rah rah rah bullhorns working on the Supreme Court and won the game. George wasn’t good enough to be a jock at Yale, but he obviously developed some effectiveness in the glee club as the cheermaster. Of course, that just means he probably bought all the beer. And he didn’t bring much cheer to America. Just more wars, death and unemployment. Why does the GOP think cutting corporate tax rates will create any more jobs when it didn’t work at all during W’s eight years? Or the 40 years before that?

Now we have another cheerleader running from Texas. Another guy who couldn’t make it as an athlete, so he became a ‘Yell master” (sounds even MORE manly than a cheermaster): Rick Perry. And what does George H. Bush’s former Treasury Secretary Bruce Bartlett tell us about Rick Perry – “If he was Bush’s brother, George W. would be the smart one.” Jesus. Help us.

Rick Perry’s idea of a good cheer is to tell you to get off your lazy ass, accept that stinking $5 per-hour job he created by turning Texas into a cheap labor state, and quit your yammering. Oh, right, and pray. He’s the kind of guy who thinks God decides who wins football games. George W. was at least smart enough to compromise once and a while. This guy could win the “I’m going say no to everything any lily-livered liberal suggests and hold my breath and pray until things turn around” contest any day. Good luck with that.

So, what about Obama? Wasn’t he a cockeyed optimist when he ran for president? What happened to all that “Hope” stuff?

Obama ran on Hope, but as soon as he got elected, he was escorted into a back room and read the riot act by Wall Street and the banks, who reminded HIM who really are pulling the strings these days. A president can’t really do that much. It must have been a very sobering moment, because he’s been a little less cheerful and a little more ashen gray ever since.

Now don’t get me wrong, I’ll take a sober, thoughtful, smart guy as president any day over another blowhard bozo pimp for the corporations, but once you come to realize that maybe the only power a president DOES have is the ability to cheer us up, and you factor in that dumbing down of America; well, that doesn’t leave us many options.

My ‘hope’ is that once Obama goes back into campaign mode, he channels the fiery passion of Martin Luther King and brings back the DREAM. But if people aren’t going to buy it from him anymore, what other options are there?

Sorry, but the seven dwarfs candidates on the GOP are not going to rally one ounce of optimism, especially if they use the same mean-spirited heather cheerleader tactics of ignorant haters like Sarah Palin.

No, we’re probably going to have to look outside the usual suspects for a loving and maternal influence who will hug us and tell us everything will be better.

Maybe then corporations will stop sitting on trillions of dollars of unspent capital and start hiring and investing again. Banks will stop sitting on trillions of dollars of reserves and start lending again. And the stock market will stop knee-jerk reacting to our ever manic-depressing mood shifts.

We all need a big mom. A nice mom. Not a crazy mom (yes, that means you, Michele Bachman). And not a cynical, or severe mom (Sorry, Hillary, but your optimism days are long passed).

There was talk of the big mom running in 2008, but NOW is the more dire time for her to step up, do her patriotic duty, and save the country and the world. She can appoint Dr. Phil as her Vice President Therapist, and her first State-of-the-Union can be to sing a comforting lullaby of cockeyed optimism to the angry, whining, moaning, and depressed masses we now know as America.

Oprah in 2012.

Our Comforter-in-Chief.

Winning

July 27th, 2011

LAFD Captain Rick Brandelli and A. Wayne Carter graciously accept their award for First Place in the 2011 Las Vegas Film Festival short screenplay competition for their TV pilot script, “Sunset Fire.”